Kodak T-MAX 100

Kodak's T-MAX film series, encompassing T-MAX 100, 400, and P3200, has long held a prominent place within their range of black-and-white films. However, before the debut of Kodak's T-MAX 100 film, there existed earlier Kodak film stocks that laid the foundation for this celebrated line of films.

The use of nitrate films marked the earliest forays into the medium. Notably, these nitrate films, though instrumental, were highly flammable and ultimately replaced due to safety concerns. This paved the way for orthochromatic films, which possessed sensitivity to blue and green light while lacking responsiveness to red. These films found application in both still photography and motion pictures during the early 20th century.

The advent of panchromatic films in the early 20th century was a significant development. These films extended their sensitivity to a broader spectrum of colors, including red, rendering them more versatile for a variety of lighting conditions and subjects.

In the early 1940s, Kodak introduced their Tri-X film series, which would go on to become one of the most iconic choices for both professional photographers and film enthusiasts. Launched in 1940, Tri-X is renowned for its high contrast and adaptability. It marked the initial phase in the evolution leading to Kodak's T-MAX line of black-and-white films.

T-MAX 100, introduced in 1986, emerged as the next chapter in Kodak's black-and-white film history. With the Tri-X line waning in the face of color film and advancements in black-and-white emulsions, Kodak aimed to usher in a new line of films, offering finer grain and heightened sharpness for the benefit of all film photographers. T-MAX 100 did just that with the lower ISO speed it allowed for less grain and sharper images, yet it is not as versatile compared to its brothers T-MAX 400 and P3200, with T-MAX 100 being stronger in sunny conditions then lower light conditions. 

The T-MAX series answered the call, empowering both professionals and enthusiasts to attain sharper, more refined images in their work. T-MAX has since become one of the most widely recognized and frequently employed lines of black-and-white film. The 100-speed and 400-speed variants stand as favorites, closely followed by the cherished P3200. These films are esteemed for their sharpness, fine grain, strong contrast, and, most crucially, their adaptability to diverse shooting conditions. They further grant photographers the freedom to experiment with over and underexposure, tailoring the look and feel of their images to their unique artistic visions.


Kodak T-MAX 100.

Fine grain Black and White film.

Previous
Previous

Ektachrome 100

Next
Next

Kodak Gold 200